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Camille Pissarro
Pont Boiedieu in Rouen in a Drizzle
mk235
1896
Oil on canvas
73.3x91.4cm
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Camille Pissarro
Morning,overcast Wather,
mk235
1896
Oil on canvas
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Camille Pissarro
The Boulevard Montmartre on a Winter Morning
mk235
1897
Oil on canvas
65x81cm
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Camille Pissarro
The Boulevard Montmartte on a Cloudy Morning
mk235
1897
Oil on canvas
73x92cm
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Camille Pissarro
The Boulevard Montmartre at Night
mk235
1897
Oil on canvas
53.3x64.8cm
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Camille Pissarro
The Bouleard Montmarttre on a Sunny Afternoon
mk235
1897
Oil on canvas
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Camille Pissarro
The Old Market-Place in Rouen and the Rue de I-Epicerie
mk235
1898
Oil on canvas
81x65cm
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Camille Pissarro
The Tuileries Gardens in Rain
mk235
1899
Oil on canvas
65x92cm
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Camille Pissarro
The Train
mk235
Oil on canvas
54.3x65.3cm
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Camille Pissarro
Jallais Hill
mk235
1867
Oil on canvas
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Camille Pissarro
The Mailcoach at Louveciennes
mk235
1870
Oil on canvas
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Camille Pissarro
The road from versailles at Louveciennes
mk235
1870
Oil on canvas
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Camille Pissarro
the red roofs
mk247
1877,oil on canvas,21.5x25.875 in,54.5x65.5 cm,musee d orsay,paris,france
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Camille Pissarro
boulevard montmartre
mk247
1897,oil on canvas,21.25x26 in,54x66 cm,private collection
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Camille Pissarro
the tuileries gardens,rainy weather
mk247
1899,oil on canvas,25.625x36.25 in,65x92 cm,asholean museum,oxford,uk
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Camille Pissarro
French Grand Theater Square
mk250 Year in 1898. Oil on canvas, 72.4 x 92.7 cm. Luoshan Angeles Los Angeles at the National Arts Museum.
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Camille Pissarro
Storm
mk259 1854-1855 Oil on canvas 26 x 35 cm
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Camille Pissarro
Two women talking to the seaside
mk259 1856 Oil on canvas years 27.9 x 41 cm
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Camille Pissarro
Approach and sailing
mk259 1856 Oil on canvas years 35 x 53 cm
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Camille Pissarro
Small village on the road to talk
mk259 1856 Oil on canvas years 32.5 x 46 cm
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| Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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